The project, in short, is a set of boxes. Boxes that, as the Chinese ones, are interconnected and contained ones into others. As result, they generate spaces and situations interrelated.

The set seems as it was hold in the hollow, while each box is designed appropriately: it may be torn, it may be cracked, it may be manipulated to enable light entrance, to create clear and dark areas, spaces which change of colour as day goes by, and where visitors discover the rich, the complex, the inusual that the world of the word may be. This changing space game, surprising, exciting is, as life game, full of bright and shadowy sequences and episodes.

It is a life to be lived, full of sensations, of thoughts and feelings… and after all these feelings are expressed into words.
The space and shape expressivity goes parallel to sculpture and painting expressivity. In the garden, at the main entrance, is the bronze sculpture O susurro by Sergio Portela.

At the Auditorium entrance we can admire the Manuel Coia sculputure A censura: a character cuts another’s one tongue as a sign of the censorship of expression freedom. Finally, a fresco by José Mª Báez, As palabras, dominates the central space.